The reason why the room was pink was because on black and white film, hues of red become dark shades of black. Pink is the perfect balance to give it that dark creepy grey.
A related fun fact: while old black and white film was under-sensitive to reds, it was correspondingly over-sensitive to greens. Actors whose characters were meant to have unnaturally pale complexions - like Morticia Addams - would often take advantage of this by wearing makeup with a green base tint in order to make their faces “pop”. This is where the modern trope of cartoon vampires having green skin comes from.
These are some fun fucking facts
That was actually a combination of me and the visual effects supervisor and the production designer sitting down and sort of coming up with the biological growth that’s growing all over the cars and what that looks like and the color palette. And we started to look at the nuclear test films from the 1940s of the nuclear blasts and just decided that it would be great if the landscape was not only violent with these creatures, but also the atmosphere. So we decided that it was kind of an eternal nuclear blast except nothing ever really gets obliterated because it’s eternal and it’s constantly going. - director Francis Lawrence on the appearance of Hell; P.D. by Naomi Shohan
Marvel’s leading ladies
We are drift compatible.
This is actually a fantastic part of the movie because Pixar is giving the viewers a gentle reminder of what real life is like. Accidents happen, even to good people, and you can’t make it a tragedy if you have to dip into your savings to repair the damage. You just have to keep moving forward, work hard, and hope for the best.
Thor Loki :: Black + White
I do miss his gorgeous, younger self ~
Don’t be afraid. - I’m not afraid. Then come out. - Then you’ll be afraid.
Filthy, rude, complete scoundrel. Nothing to like there at all.
You felt that, right? We’re drift compatible